Last night I entered a house
made entirely of thresholds.
In one room,
a vessel stood beneath a window
where no sun had risen yet.
Its surface held that calm sheen
certain objects gather
after long companionship with care.
Others were already there,
moving around it in a circle,
speaking in soft, admiring voices.
They named the balance,
the proportion,
the finish near the rim
where a pale brightness rested
as though it had always lived there.
I understood them.
They were reading what could be seen.
Then someone—
or something—
placed the vessel in my hands.
At once the room grew deeper.
The shape opened.
Inwardly.
I could feel the many returns inside it,
the patient centering,
the almost-wander,
the slight correction,
the long companionship
between pressure and yielding,
between pause and motion,
between the maker’s listening
and the form’s slow willingness to become.
It was as though the vessel
contained its own weather.
When I woke,
my palms still held the knowledge
that some things enter the world complete
and still carry the inward warmth
of their becoming.
A depth of passage.
A depth formed
when repetition turns tender enough
to become a language.
Even now, waking,
I think of that room.
How easily people praised the surface.
How fully the vessel opened
when touched by recognition.
S☾
Thank you for taking this trip with me. I had fun. I hope you do too.
— Stomari
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